Jacob & Josef Kohn
Austrian furniture maker
The beginnings of the furniture company Jacob & Josef Kohn date back to 1850, when the Jewish entrepreneur Jacob Kohn and his eldest son Josef Schaje Kohn founded a company for the production and sale of construction timber in Vsetín, Moravia. In addition to the timber trade, the Kohns expanded their business model and built three matchwood factories by the 1860s, making them one of the largest producers in the Austro-Hungarian Monarchy.
Inspired by the economic success of the Thonet brothers, who settled in the Moravian region in the 186o's, Jacob & Josef Kohn saw another profitable market in the production of bentwood furniture and founded a company for the production of bentwood furniture.
The next step was to challenge the monopoly position of the Thonets in the field of solid wood bending. In the spring of 1869, Josef Kohn filed an application for the annulment of Thonet's privilege from 1856 "for the manufacture of armchairs and table legs made of bent wood, the bending of which is carried out by the action of water vapors or boiling liquids." The legal dispute finally ended with the verdict that the Thonets had to give up their patent for lack of novelty. From this point on, Jacob & Josef Kohn concentrated on the bentwood furniture business and became one of Thonet's fiercest competitors.
In the following decades, Jacob & Josef Kohn expanded into numerous production facilities in addition to its headquarters in Vsetin [...] and was appointed purveyor to the Spanish court. In the same year, a business premises was opened at Burgring 3 in Vienna 1.
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With their company motto "Semper sursum" (Always upwards), Jacob & Josef Kohn succeeded in becoming one of the most successful furniture manufacturers in the Austro-Hungarian Monarchy. Despite their economic company policy and profit-oriented thinking, their independent and creative character was always of great importance to them. By making bentwood furniture socially acceptable and collaborating with important protagonists of Viennese Modernism such as Otto Wagner, Adolf Loos, Josef Hoffmann, Koloman Moser and Gustav Siegel, they gave a new and innovative touch to quality in furniture design.
The company, which employed around 6,000 people around 1900, had sales offices in Antwerp, Barcelona, Berlin, Brussels, Budapest, Hamburg, Kiev, Cologne, London, Madrid, Milan, Marseille, Moscow, Naples, New York, Nuremberg, Paris, St. Petersburg, Rostov-on-Don and Warsaw. His success was confirmed by his regular participation in international (world) exhibitions at the World Exhibition in Paris in 1900, the winter exhibition at the k.k. Österreichisches Museum für Kunst und Industrie in Vienna 1901-1902, the First International Exhibition of Modern Decorative Arts in Turin 1902 and the German Werkbund Exhibition in Cologne 1914.
Ref.: comp.: E. Ottillinger (ed.), Wagner, Hoffmann, Loos und das Möbeldesign der Wiener Moderne, Vienna, 2018, p. 140ff
A SET OF FOUR NESTING TABLES 
NESTING TABLES WITH SQUARE LATTICE 
SHOWCASE 
MIRROR 
TWO ARMCHAIRS AND A "FLEDERMAUS" TABLE 
SEATING GROUP 
ETAGERE 
SUITE 
CHAIR 
A PAIR OF FLOWERSTANDS 
A PAIR OF CHAIRS 
THREE-LEGGED SIDE TABLE 
A PAIR OF ARMCHAIRS 
TABLE 
UPHOLSTERED ARMCHAIR 
CRADLE 
A PAIR OF ARMCHAIRS AND FOUR CHAIRS 
CABINET 
FLOWER ETAGERE 
SHOWCASE 
WARDROBE 
HALL MIRROR 
A PAIR OF DRAWING ROOM TABLES 
A PAIR OF NESTING TABLES 
A PAIR OF ARMCHAIRS known as Barrel Chairs 
SIX CHAIRS 
SEATING ENSEMBLE 
SHOWCASE 
DESK FOR A STUDY 
SEVEN-BALL CHAIR 
COAT RACK 
SUITE 
THREE-SEATER SETTEE 
BUREAU 
SMALL SIDEBOARD 
SIDE TABLE 
CORNER SETTEE 
DESK 
ARMCHAIR 
FOUR ARMCHAIRS 
ARMCHAIR 
SETTEE FOR A NURSERY 
SETTEE 
DINING TABLE 
TABLE FOR THE CAFE MUSEUM 
SALON CABINET 
SETTEE 
FLOWER STAND 
DRESSING TABLE 
SUITE 
TABLE 
A PAIR OF NESTING TABLES